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Gear mentioned in this video: Zoom H4n, Rode VideoMic Pro, IK Multimedia iRig Pre, Rode SmartLav Lavalier Mic, izotope RX2 Audio Restoration Software, Rode NTG2 Shotgun Microphoneįilmmaking 101 | How To Record High Quality Audio On A Budget CANON CAMERA RECORDER SERIESGear shown in this video: Canon 7D, Zacuto viewfinder, Zacuto Gorilla Plate, BeachTek DXA-SLR, AT875R Short Shotgun (with lightwave shock mount, no longer available), Sony URX series Diversity wireless mic, Right angle XLRs for shotgun and wireless.Įasy Audio for DSLR: How To Get Good Sound with DSLR Video Cameras! Unfortunately, Magic Lantern is only available for Canon cameras.Īs with everything in filmmaking, the story, budget and final "end-use" dictates the tools you use. Magic Lantern also allows you to disable the AGC feature mentioned above. Although one work-around to monitoring audio is with Magic Lantern, a free hack software. One of the big advantages you get with using an external recording device or a preamp is the ability to monitor and manually adjust your sound, something you can't do when you just stick the mic straight into the camera. We've tested this method with our Canon EOS 60D and the audio actually sounds pretty good, especially if the end product is for web only. If you use a microphone with an XLR output, something like the Sennheiser EW 112P wireless mic (what we use), you'll need to get an XLR to mini-jack converter. One popular choice among filmmakers is the Rode VideoMic Pro. ![]() This "XLR Box" offers several advantages including: a headphone jack (older model DSLRs lack a headphone input), audio meter to monitor the sound, multiple XLR inputs, phantom power for mics that don't have their own power source and control/ability to disable the DSLR's internal audio gain control. Connect your high quality mic directly to your DSLR using an XLR adapter/preamp, something like the BeachTek DXA-5Da XLR Audio Adapter or juicedLink RA333 Preamp. CANON CAMERA RECORDER PORTABLESomething like the Zoom H4n Portable Digital Recorder or Tascam DR100 Mark II. You'll have to sync audio in post production (editing), but it's pretty easy with some third party software such as PluralEyes or even Final Cut X. CANON CAMERA RECORDER PROFESSIONAL
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